Screenwriter Srdjan Spasojevic Wrote:"This is a diary of our own molestation by the Serbian government... It's about the monolithic power of leaders who hypnotize you to do things you don't want to do. You have to feel the violence to know what it's about.

Scott Weinberg Wrote:I think the film is tragic, sickening, disturbing, twisted, absurd, infuriated, and actually quite intelligent. There are those who will be unable (or unwilling) to decipher even the most basic of 'messages' buried within A Serbian Film, but I believe it's one of the most legitimately fascinating films I've ever seen. I admire and detest it at the same time. And I will never watch it again. Ever.

Alison Willmore Wrote:Movies can use transgressive topics and imagery toward great artistic resonance. They can also just use them for pure shock/novelty/boundary-pushing, which is where I'd group Serbian Film. That it comes from a country that's spent decades deep in violent conflict, civil unrest, corruption and ethnic tensions makes it tempting to read more into the film than I think it actually offers—ultimately, it has as much to say about its country of origin as Hostel does about America, which is a little, but nothing on the scale its title suggests.

Wikipedia Wrote:A Serbian Film (Serbian: Српски филм / Srpski film) is a 2010 Serbian horror film set in Serbia, the first feature film directed by Srđan Spasojević. It tells the story of a down-on-his-luck porn star who agrees to participate in an "art film", only to discover that he has been drafted into a snuff movie with child rape and necrophilic themes. The film stars Serbian actors Srđan Todorović and Sergej Trifunović. Upon its debut on the art film circuit, the film received substantial attention for its graphic depictions of rape, necrophilia, and pedophilia.

The state prosecution of Serbia opened an investigation to find out if the film violates the law. It is being investigated for elements of crime against sexual morals and crime related to the protection of minors. It was banned by a San Sebastián court for "threatening sexual freedom" and thus could not be shown in the XXI Semana de Cine Fantástico y de Terror (21st Horror and Fantasy Film Festival).

Quote:The first ever showing of A Serbian Film took place on March 15, 2010 at midnight in Austin as part of the 2010 South by Southwest. During the introduction by Alamo Drafthouse Cinema's owner Tim League, the audience in the theater was once again warned about the extreme nature of the scenes they were about to see and given one last chance to leave the screening. The following day, the film played once more.

Next came the screening at the Brussels International Festival of Fantasy Film in April.

On June 11, 2010 the film screened at home in Serbia as part of the Cinema City festival in Novi Sad.

The film was run on July 16 and 19, 2010 during the Fantasia Festivalin Montreal as part of the Subversive Serbia programme.

The film was due to screen on August 29, 2010 at the Film Four FrightFest in London, UK but was pulled by the organisers following the intervention of Westminster Council. Films shown at this festival are usually shown pre-certificate but in this case Westminster Council refused to grant permission for its exhibition until it had been classified by the BBFC. Following its DVD submission to the BBFC (there were no theatrical materials available in the timeframe requested for a proper theatrical classification), 49 cuts totaling four minutes and eleven seconds were requested for DVD certification. The UK distributor, Revolver Entertainment, initially looked into the possibilities of the process, but it became clear that the film would then have to be resubmitted to the BBFC and further cuts may then have been required. It was decided that to show a heavily edited version was not in the spirit of the festival and consequently its exhibition was pulled from the schedule. The film was replaced at the festival by Rodrigo Cortés' Buried starring Ryan Reynolds.

The Raindance Film Festival, that picked up the film at the Cannes Film Festival in May, subsequently held the UK Premiere and 'found a way around the ban by billing the screening as a "private event"'. The Sun tabloid described the film as 'sick' and 'vile' following the festival's 2010 Press Launch and Westminster Council requested to monitor the invitations to the screening. The 35mm print was shipped from the BBFC for the 8 October 2010 premiere.

On October 21, 2010, the film had a single screening at Toronto's Bloor Cinema. It took place as part of the monthly event called Cinemacbre Movie Nights organized by the Rue Morgue magazine. The publication also spotlighted the film and featured it on its cover.

On November 26, 2010, the film was rated Refused Classification by the Australian Classification Board, banning sales and public showings of the film in Australia.